Adema Hd Album Art Dream Theater Hd Album Art
Cover Story: Dream Theater - Images And Words
Larry Freemantle remembers Dream Theater being "very hands on" when it came to the cover of their second anthology.
IMAGES AND WORDS - DREAM THEATER
(Atco, 1992)
Dream Theater may have released an overlooked debut in 1989, but information technology wasn't until they recorded Images And Words three years later that they achieved any notable breakthrough. Containing the unlikely hit single Pull Me Under, which was heavily rotated on MTV and commercial radio, the album would go on to sell in excess of 500,000 copies in the U.s.a. alone. The record likewise independent other tracks which would soon go live stalwarts, such as Urban center Part 1, Another Day and Surrounded. The distinctive artwork, depicting a girl alongside a number of themes that appeared in the lyrics, was created by Larry Freemantle.
How did you become involved in the project?
"At the time they were with Elektra, and at that fourth dimension they didn't actually accept an fine art department. I was with Atlantic and was assigned it similar any other project. They had some visitor they were somehow connected with called Access Images. It was a pre-figurer graphics time, and everyone was just getting into computer work. Access Images was ane of those companies that did that sort of stuff, before Photoshop became huge. And they had a few people that worked there, so I sort of oversaw that project."
**How did you come up upwardly with the idea? **
"The concept of what was on that encompass came from the band. I tried to make information technology look compositionally like an one-time painting from a blueprint point of view. I call up I met with the band and we sat down and went through everything. They were very easily on in the early days. John Myung was probably the key person I met along with John Petrucci. Kevin Moore and Mike Portnoy were as well very much involved too. They were very specific about what should be where on the sleeve. It was simply a affair of trying to piece it together. So they wanted a little girl, they wanted the bird flying and that style of room. It was a collage of engravings and illustrations which I thought was pretty cool. The engravings and the room were from old engravings book that we spliced together, and the sky was worked into it too. As for the font, I had that created and hired a calligrapher, John Stevens, as I wanted it to be personalised and to look like a type font."
Stylistically, information technology's reminiscent of some of the 70s album sleeves. Is that something that you were conscious of?
"Those guys and myself were huge Hipgnosis fans and that information technology's pretty obvious. And in fact, after they really used Storm Thorgerson to practice some the art for their Falling Into Infinity anthology. I'k a big fan of how that stuff was done pre-computer. The sleeve is a little dated now, simply because you can see how well things are done today. So I look back and think that I could have done it in so many dissimilar ways. Those Hipgnosis phenomenal sleeves are beautiful and oasis't dated, and I suppose Images And Words holds up to some degree. I like the fact that information technology is a collage rather than, say, information technology being all photographic."
Who was the girl who features on the cover?
"The daughter was somebody that the photographer, Dan Muro, chose and I think he only cast someone for that. It wasn't anybody specific for the band. I remember that the flaming heart logo was physically created, and they fabricated a model of it and then photographed it."
How were the band to work with?
"The guys were down to earth and from Long Island, where I'm from, and nosotros were the aforementioned historic period. They were like shooting fish in a barrel going and information technology'southward always easier to work with a new band than someone who has been effectually for a long fourth dimension. In the starting time they were so happy just to be doing some of the stuff we were doing, and it wasn't a large budget job. They were a very serious and professional band right from the start. A lot of bands are like the deer in the headlights when it comes to ideas then their attitude was quite unusual. They were e'er corking when they came to the table as they always had ideas."
Source: https://www.loudersound.com/features/cover-story-dream-theater-images-and-words
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